Publications
Books
Barbara Nanning – Eternal Movement Ceramics, Installations and Glass Art
Author: Titus Eliëns
Publisher: Waanders & de Kunst, Zwolle
144 pages
7,87 x 9,84 inch
Full colour
€ 25
ISBN 978 94 6262 256 2
https://www.waandersdekunst.
This retrospective artist monography highlights the outstanding qualities of her work as it has evolved over the last forty years.
Thanks to the Prins Bernhard Cultuurfonds / Elisabeth Vermaat Müller Fonds.
barbara nanning_evolution
Author: Thimo te Duits, Barbara Nanning
ISBN 90-9017369-2
ca. 100 full colour images, 164 pages.
Price: Euro 49,—
Evolution, Amsterdam 2003
About the work (Dutch)
About the work (French)
About the work (Japanese)
Barbara Nanning, Galaxy & Terra, Ceramics – Reizen in tijd en ruimte
Authors: Liesbeth Crommelin, Paul Donker-Duyvis
ISBN 90-6617-106-5
full colour images, 36 pages
Amsterdam 1993
Press
Archive Barbara Nanning to the RKD – Netherlands Institute for Art History
Recently, the paper part of my archive, which consists of all documents relating to my education and work, was transferred to the RKD in The Hague. The archive has been inventoried by art historian Karlijn de Jong and divided into the various disciplines in which I work: glass, ceramics and monumental art. Correspondence, design sketches, notes, documents regarding prizes and participation in exhibitions and fairs, together with the many photos of my work (process), are now stored in acid-free covers and archive boxes in the RKD warehouse. It will soon be available for consultation by researchers there. In the long term, the digital part of the archive will also be added to this paper part.
Wikipedia page expanded
Much more information about my work can now be found on the Wikipedia page, both the Dutch and English versions.
Barbara Nanning in Financial Focus
Lees het artikel in Financial Focus van ABN/AMRO Mees Pierson
Jan Living – Dossier Glass
Autumn 2021 – ‘Door alle groen- en blauwtinten staar je in de oceaan’
With an article about my work (Dutch).
Art Aurea Eternal Movement
20.08.2020 Art & Life – Other – Studio Visits
With an article about my work.
Artdiction – In the Hands of a Sculptor
July / August 2020
With an article about my work as a sculptor.
Klei Keramiek 2019 – 5
Article in Klei Keramiek
Article about my work:
de kleine k / het onafhankelijke digitale keramiekmagazine / Number 56 / August 2019
Barbara Nanning De cirkel is rond …
Look at the magazine (in Dutch):
de kleine k / het onafhankelijke digitale keramiekmagazine / number 56 / August 2019
Neues Glas / New Glass 2019 03
With an article about my work and coming exhibition in Gemeentemuseum Den Haag
New Glass 2016 – 1
Article about ‘Colorful Shadows in
Pulsating Landscapes’ (English / German).
Fjoezzz 2015 – 4
An introduction of the new work: “Coloured Shadows” in Fjoezzz (Dutch).
Fjoezzz 2015-4A-A+A magazine
In the Chinese A-a+a Magazine architecture&art of the Architectural Society of China, Beijing is an article about Barbara Nanning and Her Secret Garden.
A-a+a magazineNeues Glas 2012
‘Selten wurde die aus einem tiefen Winterschlaf neu erwachende Natur so ausdrucksvoll dargestellt wie in der Eternal Spring Kollektion von Barbara Nanning…’ (artikel Gerard Hoeks, in Neues Glas 2012)
Neues Glas 2012De fine fleur van Barbara Nanning – COLLECT – maart 2012
“Vanaf 31 maart zet glaskunstenares Barbara Nanning de bloemetjes buiten in het Gentse Design museum. Collect ging alvast op atelierbezoek in Amsterdam. ‘Ik kan uren kijken naar een bloemknop die opengaat.'” (artikel Iris De Feijter, fotografie: Tom Haartsen)
COLLECT March 2012Art and perception / Ceramic Art
In Art and Perception/TECHNICAL (www.ceramicart.com.au) you can read an interesting article about the work of Barbara.
Art and Perception/TECHNICALEternal Spring
Ewiger Frühling / Eternal SpringArt Aurea 2011
‘Die Grenze zwischen Kitsch und Skulptur ist oft messerscharf. Vor allem, wenn es sich um naturalistische Motive in Glas handelt. Die Intensität, mit der Barbara Nanning ihre Themen variiert und die Möglichkeiten des verführerischen Materials ausreizt, lässt keinen Zweifel aufkommen, auf welcher Seite sie steht.’
Piet Augustijn, Art Aurea 2-2011